Our Team
Become part of the community
The heartbeat of the KRUX community is our gathering together. Find out about gatherings near you and join us!
JB Krohn
Theology, teaching, visual faith
Corli Krohn
Hospitality, music, family, story
Lieschen Venter
Culture, technology, trends, animals
Servaas Hofmeyr
Philosophy, culture, identity, technology
Heidi Salzwedel
Education, conceptual art, faith & art
Adrian Coates
Theology, culture, faith-life integration
Elbie Visser
Art, hospitality, design, business
Ydi Coetsee
Painting, art history, theology, Africa
Otto Bam
Music, literature, theology
Latest Posts
Sekoto and I
Sekoto was self-taught, he didn’t go to school like people today. And an interesting thing about him; he was born in 1913, in the same year that the Land Act was passed in South Africa. It’s fascinating to see how he interacted with that time, growing up in that era in South Africa.
Sekoto and I
Sekoto was self-taught, he didn’t go to school like people today. And an interesting thing about him; he was born in 1913, in the same year that the Land Act was passed in South Africa. It’s fascinating to see how he interacted with that time, growing up in that era in South Africa.
Culture Care
Inspired by organizations like CIVA, artway.eu, Morphe Arts and The Rabbit Room, South African artists have realised the need for a place where artists can think deeply and come together and dialogue about faith.
Shadow and light – Archetypes and the Gospels
If we combine the 4 Jungian archetypes with the personifications of the tetramorph, can we make a case for Christ as the perfect fulfilment of all that Freud, Jung, Campbell, Moore, and Gilette are looking for? In a society of disordered archetypes, and psychoses of imbalance, can we psycho-analyse Christ in a Jungian framework and find the perfect man? I contend that we can. And that the answer to all our psychoses can be found by spending time in the gospels.
Fiddlers and Afflictions – joy and suffering in the work of Marc Chagall
Seeking for ‘mentors in hope’ in the troubling times in South Africa and abroad made me reflect on some of the ways Chagall seems to brave despair.